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    <loc>http://www.leggelewislegge.com/projects</loc>
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      <image:title>Projects - FRACTAL GARDEN | 2009 | Jardins de Metis, Quebec, Canada</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand Fractal Garden was commissioned in 2009 for the 10th anniversary of The International Garden Festival, at the Jardins de Metis, Grand-Métis, Québec, Canada. The set of 21 steel planters consists of 7 each of 3 specific diamond shapes and ground cover plantings. Each shape is a 4-sided polygon containing 2 specific angles which enable the planters to fit together in infinite ways, both symmetric and asymmetric. Medium: Steel, casters, soil, ground-cover plants Dimensions: 1’ x 20’ x 20’ Site: Reford Gardens Landscape 2009 Festival, Metis, Quebec, Canada Client(s): Jardins de Metis, Quebec, Canada Budget: $10,000.00</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1465777834300-2GZAUA4RL6MKP64A5W9C/ru06_SS.jpg</image:loc>
      <image:title>Projects - ROUND UP (AFTER MONET) | 2008-2010 | Jardins de Metis, Quebec, Canada</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand Round Up (after Monet) is an array of nine 6-foot high earthworks bound with sod and strapping that will grow and change shape individually over time. Commissioned originally for the 2008 International Garden Festival, held annually at the Jardins de Metis, Reford Gardens, Grand Metis, Quebec, Canada. Medium: Sod, meadow flowers, topsoil, truck strapping Dimensions: 6’ x 32’ x 48’ Site: Reford Gardens Landscape Festival 2008, Metis, Quebec, Canada Client(s): Jardins de Metis, Quebec, Canada Budget: $10,000.00</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1465415683338-80HF7BQ7RJHUSMMXTEZQ/west_pan_rev_SS.jpg</image:loc>
      <image:title>Projects - LINCOLN STREET GREEN STRIP | 2008 | Allston, Boston, MA</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand This permanent land arts installation rehabilitates a marginalized strip of land straddling the neighborhoods of Allston and Brighton in Boston. A site study revealed a structured pattern of circulation, relating to the city’s grid, which was repeated throughout the site. Simple architectural elements were added and placed to imply long obscured pathways, entrances and exits of an imaginary baroque garden ruin. Medium: Weathering steel and hybrid urban meadow Dimensions: 5m x 300m x 25m Site: Allston, Massachusetts Client(s): The City of Boston Department of Neighborhood Development udget: $220,000.00</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1465425197947-IZK8P91O9WO3BDLAQ12K/LeggeLewisLegge_LightBridge01_HR_SS.jpg</image:loc>
      <image:title>Projects - LIGHT BRIDGE | 2014 | Austin, Texas</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand Light Bridge is composed of repeated rigged and weighted wire elements that include segments of Electroluminescent Wire (EL Wire). The EL wire is located to create a glowing three-dimensional volume/image of a bridge hovering in space over the river.  The Waller Creek Conservancy is a project to rehabilitate Waller Creek, a long-neglected creek running through downtown Austin, TX.  The Chain of Parks, running the length of the creek and shores, is to be designed by Michael Van Valkenburgh Associates, Inc. and Thomas Phifer &amp; Partners. Light Bridge was commissioned for the inaugural exhibition of Creek Show, a 4-day-long annual production of the Waller Creek Conservancy intended to raise awareness and support for the Conservancy and The Chain of Parks project.  Medium: Electroluminescent Wire, speaker wire, rigging, drivers Dimensions: 20’ x 6' x 14’ Site: Austin TX Client(s): Waller Creek Conservancy, Austin TX Budget: $16,500.00</image:caption>
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      <image:title>Projects - LOST PINES CHAPEL | 2007 | BASTROP TEXAS</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand Lost Pines Chapel is located in a pine forest clearing in a Cub Scout camp next to Lake Bastrop near Austin TX. The chapel, which accommodates approximately 50 people, frames a view of the lake beyond. The open-air structure is designed to embrace its non-denominational program. Innovatively combining both steel and wood construction, this structure is at once rustic and rough-hewn while being precise and elegant in its assembly. Medium: sawn cedar and steel connector plates Dimensions: 24’ x 24’ x 20’ Site: Cub Scout Camp, Bastrop, TX. Client(s): Boy Scouts of America Budget: $60,000.00</image:caption>
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      <image:title>Projects - AMPHIBIOUS | 2019 | Austin, Texas</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand 2 blocks of downtown Austin Texas are populated with 35 bronze life-size and life-like sculptures representing 15 different species of indigenous toads and frogs as they ‘return’ to the nearby rehabilitated Waller Creek. Medium: 3D printed bronze and traditional cast bronze Dimensions: 14’ x 14' x 14’ Site: Sabine Street between 4th &amp; 6th streets, downtown Austin TX Client(s): Austin Art in Public Places Budget: $37,500.00 Map to frogs and toads Austin Art in Public Places Waterloo Greenway</image:caption>
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      <image:title>Projects - CHROMA ZONE | 2024 | Campus Center, University of Maryland</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand all images: installation, October 2024 Using Vanceva Color PVB Interlayers technology, special laminated glass panels in a LRT station canopy are spec’d with a series of specific colors and transparencies, which allow bright colors to be reflected onto the ground and onto any surface beneath the canopy. The colors for the canopy glass are derived from an investigation of the official school colors of the University of Maryland and the Purple Line Standards manual. The colors graduate from ‘Purple Line’ deep purple through the University of Maryland’s deep red and gold, eventually clearing to colorless glass. The deeper red end of this spectrum is situated at the far end of each platform where the train comes to a stop. Thus the canopy and color field effect acts as signage and subtle way-finding, indicating where the train will stop and from what direction it will come. The reflected color field is constantly moving and changing with the sun and sky conditions, from stark literacy on a cloudless day at noon to a softer blur of color on an overcast day. The whole structure becomes a projector using varying ambient light of the sun and sky. At night, lit with platform lighting mounted in the eaves, the canopy appears as a colorful array when viewed from above in surrounding buildings. Medium: Glass Dimensions: 85’L x 12’W x 10’H Site: Campus Center Station at The University of Maryland for The Purple Line Light Rail System. Client(s): Maryland Transit Administration Budget: $211,750.00</image:caption>
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      <image:title>Projects - CLOUD PAVILION | 2012 | Dallas, Texas</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand Inspired by the Cirrus Undulatus cloud formations commonly found in the region, Cloud Pavilion creates shade in a range of densities of light and dark. Situated in a public neighborhood park, the pavilion includes two long cast-in-place tables for picnicking and parties, as its profiled steel louver ceiling appears to hover above. Medium: Powder coated steel, cast cement Dimensions: 16’ x 50’ x 20’ Site: Westmoreland Park, Dallas, Texas Client(s): City of Dallas Department of Parks and Recreation Budget: $172,000.00</image:caption>
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      <image:title>Projects - CUP CITY | 2005 | Austin, Texas</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand Cup City, a temporary interactive lounge, was constructed over the course of the 3-day Austin City Limits Music Festival (ACLFest) using 41 Rent-a-Fence panels, zip ties and approximately 25,000 pieces of garbage. The lounge walls were filled with the used bottles, cups and cans by concert-goers, many of whom spent hours arranging different patterns. Cup City engaged the festival’s stream of consumption, diverting approximately 25,000 pieces of garbage that accumulated in its ever-changing walls. Medium: rented chain link fence panels, used water bottles and cups Dimensions: 15’ x 40’ x 50’ Site: Austin City Limits 3-day Music Festival, Zilker Park, Austin, TX Client(s): Austin Green Art Budget: $5,000.00</image:caption>
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      <image:title>Projects - Night Watch | Creek Show 2024 | Austin TX</image:title>
      <image:caption>photo: Deb E. Lewis Creek Show 2024: 10th Anniversary Celebration Date: November 8, 2024 – November 16, 2024 Time: 6 PM – 10 PM Main Entrance: Enter at 1401 Trinity St. Using sound, projectors and stabilized original footage of turtle and fish eyes, a set of 6-foot high monstrous eyeballs float in the darkness beneath the 12th Street Bridge. The projections are accompanied by an original soundtrack composed of natural creek-area sounds mixed with other sounds of undetermined, more industrial origins. Inspired by the creek and its creatures, the sound echoes ominously under the bridge as the vigilant eyes move and seem to follow Creek Show visitors as they pass between them, creating a haunting threshold marking the start of Creek Show 2024.</image:caption>
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      <image:title>Projects - PERCH | 2026 | Raleigh NC | Fabrication 2024, Leo Gaev Metalworks</image:title>
      <image:caption>all fabrication photos: Leo Gaev Metalworks, Chapel Hill, NC Commission to create public art for the Marsh Creek &amp; Trawick Road Improvement Project and/or Raleigh’s urban trails system. Medium: Corten Steel Dimensions: each pole: 14' x 4' Client(s): City of Raleigh, Raleigh Arts Budget: $70,000.00</image:caption>
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      <image:title>Projects - Heritage Park and Paddock Park Public Art Master Plan | 2023</image:title>
      <image:caption>Commission by Arts Fort Worth to research and write a Public Art Master Plan for the renovation and redevelopment of Heritage Park and nearby Paddock Park in downtown Fort Worth, Texas. The parks, situated atop a bluff along the Trinity River, occupy roughly the site of the original fort at Fort Worth. The centerpiece of Heritage Park is to be the renovated and reopened Heritage Plaza designed by nationally known landscape architect Lawrence Halprin and originally dedicated in 1980. Halprin's plaza atop the bluff was designed as a series of outdoor rooms unified by water features and cantilevered walkways offering sweeping views to the west, north and east. The Plaza has been closed since 2007 due to maintenance and accessibility issues. For the Public Art Master Plan, we conducted numerous site visits and over 15 institutions and conducted interviews with a diverse array of stakeholders over a 2 year period. This research led to the production of a 539-million-year to present day visual timeline of the site as well as some surprising discoveries. One such discovery was locating and interviewing the last living residents of the site—a Mexican American Kickapoo family. These site-specific cultural findings will play a vital role in shaping the development of public art for the park.</image:caption>
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      <image:title>Projects - LOOP | 2012 | The Contemporary Austin, Laguna Gloria | Austin, Texas</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand Commissioned by The Contemporary Austin (formerly Austin Museum of Art/Arthouse) as part of an artist-and-architect designed mini golf course, Loop’s elliptical green offers the user the possibility of infinite play. The gently ramping putting green pathway loops in on itself so that the location of the tee and the hole are one. Miss the hole and go over a small ledge, and you are back at the beginning to try again. The wrapping exterior screen wall is a habitable space that creates a passageway. Medium: 2 X 4 wood, Astroturf, plastic Dimensions: 8’ x 16’ x 12’ Site: Laguna Gloria, Austin, TX Client(s): The Contemporary Austin (formerly Austin Museum of Art/Arthouse) Budget: $4,000.00</image:caption>
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      <image:title>Projects - Field Station | 2017 | Calgary, Alberta, Canada</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand Branding, design and co-production of ‘Field Station’, a Creative Community Development Project in Calgary, Alberta. Field Station was a series of arts-based community events that were both educational and creative. It included individual and collective opportunities to celebrate the local community and explore the final destination point on the Red Line and its surrounding neighbourhoods. In August and September of 2017, citizens were invited to explore the Tuscany, Rocky Ridge, and Royal Oak neighborhoods through a series of artist-led experiences. The project team (GO Co and Legge Lewis Legge LLC) guided participants through a range of hands-on activities such as drawing, printmaking, and collage. The art-making activities were a way for visitors to explore, imagine, and build a connection to place. More info. Field Station Project Catalogue PDF</image:caption>
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      <image:title>Projects - Love is Never Lost | 2017 | San Antonio TX</image:title>
      <image:caption>Drawing on local literary history, and honoring the name of a nearby high school, a line from a poem by Washington Irving is spelled out in different colored steel tabs on a fence surrounding a Google fiber hut in San Antonio Texas. ‘Love is never lost…’ is rendered in a series of riveted, powder coated steel tabs. City of San Antonio Arts &amp; Culture Budget: $15,000</image:caption>
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      <image:title>Projects - LEAF STRUCTURE | 2015 | Dallas Arboretum, Dallas, Texas</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand Leaf Structure is a bright white steel canopy floating over a pedestrian ramp at the entrance to the Arboretum. Its complex organic geometric forms, open to the sky, resemble the patterning found in tree canopies, and casts a dappled design onto the concrete below. Upon closer study the canopy is revealed to model the cellular structure, visible on a microscopic level, of a leaf. Medium: Steel Dimensions: 14’ x 14' x 14’ Site: Dallas TX Client(s): Dallas Arboretum, City of Dallas Public Art Program, the City of Dallas Department of Parks and Recreation, the City of Dallas Office of Cultural Affairs Budget: $230,000.00</image:caption>
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    <loc>http://www.leggelewislegge.com/unbuilt</loc>
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    <lastmod>2020-08-28</lastmod>
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      <image:title>Unbuilt - HILL &amp; VALLEY | 2003 | The Boston Logan International Airport 9/11 Memorial Competition</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand One of 5 finalists for The Boston Logan International Airport 9/11 Memorial Competition, Hill &amp; Valley is a pastoral greenbelt, a park that forms a ripple in the land. With gently undulating landforms located amidst a sea of airport activity, the memorial is a wave creating two distinct spaces held in balance; a hill and a valley connected by a single fluid pathway. Medium: Earthworks, cement, stone, water. Dimensions: 1 acre Site: Logan Airport, Boston, MA Client(s): Boston Logan International 9/11 Memorial Competition Budget: $1,000,000.00</image:caption>
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      <image:title>Unbuilt - CLOCK TOWER | 2019 | Hillcrest Green Redevelopment | DallasTX</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand Inspired by the idea that the new park at Hillcrest Village will act as a community meeting space, we propose a contemporary clock tower for this new town square. Sited at the top of the stair within the elevated entry plaza, the tower will be visible from the road and from the entire site. The tower and its sun icon gnomon1 is designed to cast shadows on the entry plaza in front of it, marking an entire year by inscribing the path of the sun as the earth completes a trip around the it. The time and day of year, as well as important dates and events can be marked on the plaza, their locations marked by the sun icon shadow position. Dallas gets an average of 232 sunny days per year, so Clock Tower will be casting shadows and telling time on most days. But no matter the weather, the tower stands as a unique place-making and way-finding beacon to mark the entry to the park. The plaza will be host to a beautiful drawing made with bronze markers inscribing the sun's path around the Hillcrest Village Green entry plaza . As well as using the plaza markers to tell time and day, an array of special bronze markers which commemorate the local community further enhance the plaza for all to explore.</image:caption>
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      <image:title>Unbuilt - PAGE TURNER | 2018 | San Antonio Texas</image:title>
      <image:caption>hover over top right corner of images and click on plus sign to expand Page Turner is a brightly colored steel sculpture composed of approximately 1,300 4x4-inch powder coated steel tabs specifically arranged so that from certain vantage points they align to form the image of a figure striding across the roundabout. Inspired by the San Antonio Central Public Library and Fox Tech High School, both adjacent to the roundabout, she has her nose in a book. On approach to the library and downtown from San Pedro Avenue, the tabs align to form a colorful pixelated image of a figure walking, captivated by a story. As one continues around the roundabout the figure dissolves into colorful abstraction, resolving as a figure from the back.</image:caption>
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  <url>
    <loc>http://www.leggelewislegge.com/in-production</loc>
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    <lastmod>2021-10-03</lastmod>
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      <image:title>In Production - 2024 | Lead Artists and Master Plan for the new Heritage Park Project, Fort Worth TX</image:title>
      <image:caption>In May 2021, Legge Lewis Legge LLC was selected as Lead Artist to work collaboratively with the Heritage Park Project Design Team, producing a Public Art Master Plan to identify locations and thematic approaches for public art elements and a range of opportunities for artist involvement in the Heritage Park Project. LLL may subsequently be retained to develop design(s) for specific locations and may recommend or curate other artists for the project.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.leggelewislegge.com/new-blog</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-07-17</lastmod>
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  <url>
    <loc>http://www.leggelewislegge.com/new-blog/2017/7/17/newssocial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-17</lastmod>
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  <url>
    <loc>http://www.leggelewislegge.com/news-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-13</lastmod>
  </url>
  <url>
    <loc>http://www.leggelewislegge.com/page-turner</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546458175078-SKYTLJRSXXIKU6S9AWRQ/200ftTowardLibraryREVEFFECTS2.jpg</image:loc>
      <image:title>Page Turner - PAGE TURNER | 2018 | San Antonio, TX</image:title>
      <image:caption>schematic renderings Page Turner was developed for a future roundabout (traffic circle) in San Antonio Texas. Page Turner is a brightly colored steel sculpture composed of approximately 1,300 4x4-inch powder coated steel tabs specifically arranged so that from certain vantage points they align to form the image of a figure striding across the roundabout. Inspired by both the adjacent San Antonio Central Public Library and Fox Tech High School, the figure has her nose in a book. Year Completed: unbuilt Medium: steel Dimensions: 10’L x 10’W x 18’H Site: San Pedro Roundabout, San Antonio, TX. Client(s): Public Art San Antonio Budget: $100,000.00</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546458175078-SKYTLJRSXXIKU6S9AWRQ/200ftTowardLibraryREVEFFECTS2.jpg</image:loc>
      <image:title>Page Turner - PAGE TURNER | 2018 | San Antonio, TX</image:title>
      <image:caption>schematic renderings Page Turner was developed for a future roundabout (traffic circle) in San Antonio Texas. Page Turner is a brightly colored steel sculpture composed of approximately 1,300 4x4-inch powder coated steel tabs specifically arranged so that from certain vantage points they align to form the image of a figure striding across the roundabout. Inspired by both the adjacent San Antonio Central Public Library and Fox Tech High School, the figure has her nose in a book. Year Completed: unbuilt Medium: steel Dimensions: 10’L x 10’W x 18’H Site: San Pedro Roundabout, San Antonio, TX. Client(s): Public Art San Antonio Budget: $100,000.00</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546458168822-KOUVHR3Y6GTJ7I3LM4HT/100ftCrosswalkView.jpg</image:loc>
      <image:title>Page Turner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546458169014-SMCVUOTGDBELZ234437F/100ftCrosswalkView2.jpg</image:loc>
      <image:title>Page Turner</image:title>
      <image:caption>On approach to the library and downtown from San Pedro Avenue, the tabs align to form a colorful pixelated image of a figure walking, captivated by a story.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546460094097-66UNND4DE4C7NVNL99I8/100ftCrosswalkView2_cropped.jpg</image:loc>
      <image:title>Page Turner</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546459699708-FYRCNCUF1RT9ST5IYHZ1/LLL_PageTurner_2018_07_17_HI+final_Page_04+copy.jpg</image:loc>
      <image:title>Page Turner</image:title>
      <image:caption>As one continues around the roundabout the figure dissolves into colorful abstraction.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546459702409-LTJ0QM1HBOX7OY21L17H/LLL_PageTurner_2018_07_17_HI+final_Page_06+copy.jpg</image:loc>
      <image:title>Page Turner</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546459702329-IXVNHOB1MD11O8NE7GBD/LLL_PageTurner_2018_07_17_HI+final_Page_05+copy.jpg</image:loc>
      <image:title>Page Turner</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546459704866-O9P5S50WLMKPB2XO2J81/LLL_PageTurner_2018_07_17_HI+final_Page_07+copy.jpg</image:loc>
      <image:title>Page Turner</image:title>
      <image:caption>At halfway around the roundabout, from the other side, the figure resolves again.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546458176402-OIVT869OTP56FYA6D4UX/100ftCrosswalkViewI35.jpg</image:loc>
      <image:title>Page Turner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546459705912-GKGPQ6CXEUFI9HEJ4FQT/LLL_PageTurner_2018_07_17_HI+final_Page_08+copy.jpg</image:loc>
      <image:title>Page Turner</image:title>
      <image:caption>Detail from the center of the roundabout showing steel tabs and rods.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546459706596-X97JVCCVL8UWF7DOEZXM/LLL_PageTurner_2018_07_17_HI+final_Page_09+copy.jpg</image:loc>
      <image:title>Page Turner</image:title>
      <image:caption>Detail of powder coated colored steel tabs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546461458599-S3X1M4DE1THIIP3ECDC2/LLL_PageTurner_2018_07_17_HI+final_Page_10+copy.jpg</image:loc>
      <image:title>Page Turner</image:title>
      <image:caption>Materials, steel tab to rod attachment detail: left: single-side tab attachment, right: alternative scheme of double-sided tab attachment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/1546459708232-BCMIY8Z1VCCY65E7GBKG/LLL_PageTurner_2018_07_17_HI+final_Page_11+copy.jpg</image:loc>
      <image:title>Page Turner</image:title>
      <image:caption>Elevation, Plan, Powder coated steel color scheme</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.leggelewislegge.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/571127a927d4bde7cfdb89ac/3970bc7c-c260-4565-92fc-77f4f3328ea0/LLL_2022_REV.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>From left: Deborah E. Lewis, Murray Legge, Andrea Legge</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.leggelewislegge.com/new-page</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-07-17</lastmod>
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  <url>
    <loc>http://www.leggelewislegge.com/new-page-2</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2025-06-17</lastmod>
  </url>
  <url>
    <loc>http://www.leggelewislegge.com/test-1</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2018-02-21</lastmod>
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